Subaltern Trauma Witnessing in a Global Perspective: A Study of Liminal Narrative in Lynn Nottage’s Ruined
Zhao Yongjian, Yu Mei
FTS, Vol. 1, No. 1, 2026, pp.1-9.
Seeking Spatial Justice: The Dilemma, Struggle and Vision of Clybourne Park
Luo Qian, Kong Rui
FTS, Vol. 1, No. 1, 2026, pp.10-17.
Capital and Rebellion: The Commercial Tradition and the Birth of American Modern Drama
Sheng Yu
FTS, Vol. 1, No. 1, 2026, pp.18-27.
The Portrayal of Gender and The Topology of Violence in Seán O’Casey’s Dublin Trilogy
Xu Mengdie
FTS, Vol. 1, No. 1, 2026, pp.28-36.
A Premeditated Murder of Clay by Lula—On Amiri Baraka’s Play Dutchman
Wu Zhaofeng
FTS, Vol. 1, No. 1, 2026, pp.37-50.
French Theatre in China Since the New Century: Performance, Translation, and Research
Xiao Ziqing, Li Gang
FTS, Vol. 1, No. 1, 2026, pp.51-59.
The Evolution and Development Vision of Sino-Russian Theatre Exchanges from the Perspective of the Chekhov International Theatre Festival
Deng Aiqin, Ju Zhian
FTS, Vol. 1, No. 1, 2026, pp.60-68.
Performance and Exchange of China Drama in Singapore since the New Century
Chen Yaling, Zhang Lianqiao
FTS, Vol. 1, No. 1, 2026, pp.69-80.
A Comparative Study of the Artistic Features of Chinese and Japanese Theatre Festivals from a Cross-Cultural Perspective —— Case Studies of the Wuzhen Theatre Festival and the Toga Theatre Festival
Zhang Huan, Liu Weiying
FTS, Vol. 1, No. 1, 2026, pp.81-90.
Mediation and Cultural Translation: The Reception of Western Drama by Chinese Intellectuals in Japan—Taking Japanese Shinpa Theatre as the Medium
Wang Cong, Lai Zeke
FTS, Vol. 1, No. 1, 2026, pp.91-101.
A Study on the Domestic Adaptation and Dissemination of Foreign Classic Dramas: A Case Study of Dario Fo’s Accidental Death of an Anarchist
Lai Risheng
FTS, Vol. 1, No. 1, 2026, pp.102-110.
The International Influence of Chinese Traditional Operatic Aesthetics: A Case Study of The Yellow Jacket (1912)
He Shumin
FTS, Vol. 1, No. 1, 2026, pp.111-121.
From the Controversy of Merit and Fault to a Coordinate in the Drama History : A Review of A Study of Yuanquxuan and Zang Maoxun from the Perspective of Drama History
Li Yongqi
FTS, Vol. 1, No. 1, 2026, pp.122-128.
The Century-long Evolution of the Concept of “Theatricality” and the Return of the Essence of Drama: A Review of Fang Guilin’s Research on the Concept of “Theatricality” in Chinese Drama
Wang Xin
FTS, Vol. 1, No. 1, 2026, pp.129-135.
The Undertaker and His Spectator: A Review of Zhu Chaoya’s Xia Yan: A Master of the Century
Li Yifan, Huang Dezhi
FTS, Vol. 1, No. 1, 2026, pp.136-145.
Evaluating the Contemporary Cultural Value of Nuo Rituals in Zhanjiang through Bodily Language: A Review of Entering the Realm of Intangible Cultural Heritage: Decoding the Bodily Language of Nuo Rituals in Lingnan region
Weng Yuanyuan
FTS, Vol. 1, No. 1, 2026, pp.146-153.
Close Reading, Stage Analysis, and Reinterpretation of Classics: A Review of From Script to Stage: A Study of the Dramatic Art of Cao Yu’s Thunderstorm
Peng Biwei
FTS, Vol. 1, No. 1, 2026, pp.154-164.
